Mollusks Animated Series by Maik Hempel
Starting from the beginning… It was early 2011 and Maik had a breakthrough on one of his projects Mollusks. After entering countless comps over the years, Maik received some funding from Movie Network Channel to produce a series of 7 episodes. With 12 months of planning, writing, laughs, drawing, stress and animating, the series launched live on the interwebs at the end of last year.
The series celebrates Aussie animation and comedy with a whole host of comic talent from Shaun Micallef as Easty the squid, Bob Franklin as Mofo the crab, Triple J’s Dave Callan as Fergal, Roz Hammond as Big Mama Jelly and Adrian Calear as Vinnie the box jellyfish.
Read on for episode links and a hilarious interview with Maik.
Watch the series…
Tell me a bit about Mollusks and some of the highlights in writing and creating the series…
Mollusks is a 7-part animated web series about a bunch of sea invertebrates involved in organised crime. If you think of it as the illegitimate love child of Home And Away, The Sopranos and Quentin Tarantino, then I think you’re getting a rough idea of what it’s about. Maybe minus Alf Stewart.
The highlight in writing the series was without a doubt getting the chance to write it with my mate, Adam Leigh (with whom I made Rashman), in his adopted home, Hong Kong. It was just the right combination of drunken evenings, fried rice (this is a fact, not a racial slur), macaques and bright city lights to plot the story of two molluscan brothers on the run.
Mollusks is such an awesome and funny series. You almost need to watch the episodes several times to catch the little quirks. Was it really as fun to make it?
In hindsight, yes, though if you’d asked me that at specific points throughout the production, I would have glassed you in the face with anger and frustration. It wasn’t super plain sailing because the budget was tight, meaning I had to do quite a massive chunk of work my self. There were some pretty long hours, but as I said, looking back, the positives outweigh the negatives at least 8-fold.
I think I was so immersed in the matrix of making the show that I found it hard to step back and look at it as a whole. Now that it’s done, I can see and appreciate it with my brain in HD, literally and metaphorically.
Are there any surprising stories or events that happened during production that you couldn’t have even dreamed of happening?
Working with Shaun Micallef and Bob Franklin. In fact, I’ve had that dream a few times, but always woke up covered in sweat and urine. So for it to actually happen, unsoiled, was pretty surreal to say the least.
Several years after your uni and school days, what was it like collaborating with your mate Adam Leigh again? And your partner and fellow animator Adele Thomas?
When Movie Network Channel commissioned the series, I freaked out a bit. I hadn’t really seriously thought that far ahead in terms of the story, so it was a relief to have Adam on board because it took some of the pressure off, as he’s a uniquely funny guy. I couldn’t write, at least in this style, with anyone else, so he was my first point of call in that regard.
Adele was the single biggest help on this project. Not just with her work on the backgrounds, layouts, prop and character builds, but to pick up the pieces when my brain exploded all over the place from time to time.
I almost folded in half, mentally, like an origami swan, on certain occasions, so I was lucky to have her there to restore me back to a flat piece of A4 paper. Is this an acceptable analogy?
I also need to give a virtual shout out to Jim Saunders and Tom Whitty who produced all the original music featured in the show. It took a big work load off my shoulders – a. because I had no time and b. because I’m shit at making music. They are the opposite. In fact, Jim plays in Gotye’s band, just to give you some idea of his caliber.
Then there was one of my besties, Keke Robertson, who is responsible for the title sequence and special effects, as well as Benjamin Drake, a close friend of mine from uni who was integral in the inception of the idea for Mollusks. In addition, they all voiced side characters in the show.
What was it like to work with Aussie comedian legends Shaun Micallef and Bob Franklin? Seriously, that must have been a dream come true?
Yes, working with the cast was probably the highlight of the whole production. Shaun Micallef has been the single most influential comedian on what I/we have made in the past and working with him was right at the top of my life’s to do list, slightly below having sex with a dolphin, but well above climbing mount Kosciusko.
I was well nervous when I met Shaun, but luckily he was as nice as you or I would imagine him to be. So at the same time, it was a very humbling experience, if I may use this stereo-type saying. But Shaun was the icing on an already delicious cake made up of Bob Franklin, Roz Hammond, Dave Callan and Adrian Calear, who also supplied their larynxs to the characters.
Actually, Bob deserves a special mention because he got right behind the project before it was even commissioned. In fact, it was due to his string-pulling that Shaun and Roz decided to jump on board the Mollusks wagon.
I think all the voice actors added something indefinable to the vibe of the show. To be honest, before most of them even agreed to get involved, I’d written the scripts with their voices in mind. That was specifically the case with Bob and Dave Callan, whose voice is so uniquely deep, he could shatter the earth’s crust. So it was a nice juxtaposition to have him play a sea cucumber.
The only character I had trouble finding a voice for was Vinnie the box jellyfish. Three people, including myself, gave it a shot, but it just didn’t seem quite right until Adrian Calear came along and tackled it from the outside in.
After so many months of animating invertebrates with really foul mouths, can you still eat seafood?
I can. Probably even more, purely out of spite.
What’s next for Mollusks?
That’s an excellent question. Thanks for asking it. It all depends on how much people enjoy and share the series. If the network can see potential in the show, I’d definitely be down for round two, which I think would be a prequel series about the three older characters, Easty, Fergal and Tyrone. But this all remains to be seen / paid for. Fingers and arses crossed.
Dan